Alamar

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Alamar (To the Sea)
Pedro González-Rubio
2009, Mantarraya/Xkalakarma
73 minutes (Spanish and Italian)

LATAMROB rating: ****

SIMPLE and touching, Alamar has generated favourable reviews for being a charming antidote to the complex, hard urban (and borderland) dramas that characterise so much Mexican cinema and for depicting another, positive aspect of fatherhood (see Abel, for example). It tells the story of a fishing trip by Jorge (Machado), a very outdoor Mexican proud of his Mayan heritage, with his five-year-old son, Natan (Machado Palombini), before the lad returns to Rome with his Italian mother Roberta (Palombini). Jorge has the child’s best interests, physically and culturally at heart, although the boy is initially uncomfortable. Beautifully but sparsely shot by González-Rubio in Quintana Roo, the film observes the construction of a relationship in a picturesque and delicate style that is effective mainly for stripping away many of the complicated layers that characterise movies today. Magically, it avoids sentimentalism and paints a mature and, ultimately, realistic picture of the responsibilities of parenthood. The pair’s epic journey into the sea conjures up the triumphal fulfillment in a natural mission of classic literature. – EC

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Categories: Mexico, North America

Gavin O'Toole

I've spent much of my career in journalism and newspaper production: worked as a sub-editor and in other production roles at major UK newspapers including the Financial Times, The Guardian, The Observer and the Daily Telegraph / Sunday Telegraph. Covering business, finance, regulation, Latin American affairs and more. As a journalist and freelance writer I've contributed to many publications: work appears in outlets such as Al Jazeera, Public Finance, Global Government Forum, among others. Also an an award-winning writer of short stories and novelist. 

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