what i’m on by the Mexican-American Luis H. Valadez is a strong first book of poetry that defines a new urban poetics, says Oscar Bermeo
Categories: Mexico, North America, United States
what i’m on by the Mexican-American Luis H. Valadez is a strong first book of poetry that defines a new urban poetics, says Oscar Bermeo
Categories: Mexico, North America, United States
Juan Felipe Herrera’s early life as the child of migrant workers has profoundly conditioned his work
Categories: Mexico, North America, United States
Naomi Ayala’s observations of marginal lives reveal sadness and stillness, yet through poetry gain optimism
Categories: Caribbean, North America, Puerto Rico, United States
Romántico puts a very human face on the harsh economic reality that drives illegal Mexican immigration to the US
Categories: Mexico, North America, United States
Matthew Smith has claimed as his own an impoverished, yet crucial, period in the study of the country’s history
Categories: Caribbean, Haiti, North America, United States
Anyone concerned with fair trade must see The Price of Sugar, which exposes modern slavery in the Dominican Republic
Categories: Caribbean, Dominican Republic, Haiti, North America, United States
Categories: Argentina, Bolivia, Brazil, Canada, Caribbean, Central America, Chile, Colombia, Costa Rica, Cuba, Dominican Republic, Ecuador, El Salvador, Guatemala, Haiti, Honduras, Mexico, Nicaragua, North America, Panama, Paraguay, Peru, Puerto Rico, South America, United States, Uruguay, Venezuela
Categories: Argentina, Bolivia, Brazil, Canada, Caribbean, Central America, Chile, Colombia, Costa Rica, Cuba, Dominican Republic, Ecuador, El Salvador, Guatemala, Haiti, Honduras, Mexico, Nicaragua, North America, Panama, Paraguay, Peru, Puerto Rico, South America, United States, Uruguay, Venezuela
Protest Graffiti Mexico: Oaxaca is a striking visual testament to the 2006 rebellion in the southern Mexican state
Categories: Mexico, North America, United States
If an image is worth a thousand words, some of those will need to be read, not heard, to be fully understood. Montague Kobbe and Adolfo Calero explore poetry and the cinematic code
Categories: Mexico, North America, South America, United States, Uruguay