Los caballitos del diablo

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Los caballitos del diablo
Tómas González
2003, Norma
178 pages

IF WE COULD all escape to Tómas González’s rural refuge and put urban chaos behind us, life would be so much more bearable. The Colombian author’s Los caballitos del diablo (The Dragonflies) – a fitting successor to La historia de Horacio – creates another parallel universe populated by exasperated souls and painted in rich, precise colours. Although this tale about a family living on the outskirts of a city might be interpreted as codifying the harbingers of systemic violence, González would appear to have a deeper philosophical destination, aiming to help us recover a sensitivity to our surroundings that we have self-evidently lost and are being punished for so doing. His concise narrative style stripped of all excess and his sensuous descriptions of the natural world deliver a message that, like nature itself, always remains elusive, mysterious, merely hinting at the secrets that await us. – EC

Categories: Colombia, South America

Gavin O'Toole

I've spent much of my career in journalism and newspaper production: worked as a sub-editor and in other production roles at major UK newspapers including the Financial Times, The Guardian, The Observer and the Daily Telegraph / Sunday Telegraph. Covering business, finance, regulation, Latin American affairs and more. As a journalist and freelance writer I've contributed to many publications: work appears in outlets such as Al Jazeera, Public Finance, Global Government Forum, among others. Also an an award-winning writer of short stories and novelist. 

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